Used output format : User Defined EncoderĬommand line compressor : C:\Programmi\FLAC\flac.exeĪdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s Gap handling : Appended to previous track Used interface : Installed external ASPI interface Null samples used in CRC calculations : Yes Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 1 ID: 1įill up missing offset samples with silence : Yesĭelete leading and trailing silent blocks : No Stan Getz-Astrud Gilberto / Getz Au Go Go January 2008ĮAC extraction logfile from 8. Other equally engaging cuts include affective vocal readings of "Only Trust Your Heart," and the diminutive, yet catchy "Telephone Song." There is also some great interaction between Getz and Burton on "Here's to That Rainy Day." Getz Au Go Go is highly recommended for all dimensions of jazz enthusiasts.Įxact Audio Copy V0.99 prebeta 4 from 23. That said, there are a few Antonio Carlos Jobim compositions – "Corcovado (Quiet Nights of Quiet Stars)" and "One Note Samba" – both of which would be considered as jazz standards in years to follow – as well as the lesser-circulated "Eu E Voce." Getz and crew gather behind Richard Rodgers and Oscar Hammerstein's "It Might as Well Be Spring," and the scintillating instrumental "Summertime," from Porgy & Bess. However, the focus of Getz Au Go Go steers away from the Brazilian flavored fare, bringing Astrud Gilberto into the realm of a decidedly more North American style.
As the name of the disc intimates, this recording hails from the venerable Greenwich Village venue, the Café Au Go Go, in mid-August of 1964 – two months after "Girl From Ipanema" became a Top Five pop single. Stan Getz: One Note Samba (Samba De Uma Nota So) for alto saxophone (transcription), intermediate alto sax (transcription) sheet music. As is typical with jazz, there are a few personnel substitutions, with Helcio Milito (drums) and Chuck Israels (bass), respectively, filling in on nearly half the effort. In many ways, that is a logical successor to this one, as both include the "New Stan Getz Quartet." The band features a young Gary Burton (vibraphone), Kenny Burrell (guitar), Gene Cherico (bass), and Joe Hunt (drums). Getz Au Go Go Featuring Astrud Gilberto (1964) was the second-to-last album that he would issue during his self-proclaimed "Bossa Nova Era" – the final being Getz/Gilberto #2 (1964) concert title from Carnegie Hall. While that platter primarily consists of duets between Getz and João Gilberto (guitar/vocals), it was truly serendipity that teamed Getz with João's wife Astrud, who claims to have never sung a note outside of her own home prior to the session that launched her career. Along with Astrud Gilberto (vocals), Getz scored a genre-defining hit with the "Girl From Ipanema," extracted from the equally lauded Getz/Gilberto (1963). The video with composer (Tom Jobim) playing guitar and singing "One Note Samba" (English lyrics) is of really decent quality as for the 1964 year it was recorded for the documentary 'The Music According to Tom Jobim', by Nelson Pereira dos Santos and Dora Jobim.Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise became a key component in the Bossa Nova craze of the early 1960s. It was also frequently covered by guitarists, especially jazz guitarists. One Note Samba became jazz standard and popular song covered by many notable musicians and singers including Stan Getz, Charlie Byrd, Frank Sinatra, Ella Fitzgerald, Sérgio Mendes, Barbra Streisand, Al Jarreau. In 1960 legendary Brazilian composer Antônio Carlos Jobim, lso known as Tom Jobim wrote a song ""Samba de Uma Nota Só" (One Note Samba).
A few years later the Brazilian composer Ary Barroso wrote the classic Samba, "Brasil," which quickly became a hit. The dance was introduced to United States in 1933 when Fred Astaire and Dolores Del Rio danced the Carioca in "Flying Down to Rio" movie. Since 1917 It has been performed as a street dance at carnival for 100 years. It was not widely accepted until the 20th century. Samba is believed to have arrived in Brazil from Africa some 300 years ago during the slave trade. 2017 is the year when we celebrate 100 years of Samba, Brazil's most popular music and dance style.
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